The plot is
pretty simple. George Eastman plays Ramon, the son of a Mexican farmer,
who gets robbed on his way to pay the local landowner, Barrett, his
monthly rent. He recovers from his injuries and continues on to
Barrett's place to explain what happened and beg for an extension.
However when he gets there he recognises a few of Barrett's men as the
very people who robbed him. Barrett's men torture him, burn his farm and
kill his parents but Ramon manages to escape and heads to town. When he
gets there he inadvertently saves the life of an aging bounty killer
called Django (Anthony Ghidra). Django takes pity on Ramon and takes him
into the hills where he teaches him how to be a gunfighter. Of course,
unbeknownst to Ramon, Django has actually come to town to perform a
hit... for Barrett and I'll give you one guess who it is?The film is quite a low budget affair but it's all decently acted. George Eastman (who had roles in Hands of Steel, 2019: After the Fall of New York and Bronx Warriors) is particularly great as Ramon. He does well to convey the slow character change from naive farmer to deadly gunfighter that happens over the course of the film. Anthony Ghidra is also good as the aging and melancholic Django. The film is at its best when these two are on screen. I really enjoyed the whole master and apprentice angle to the story. It's set up very early on that Django and Ramon are going to have a showdown at the end, so it gives all the lessons that Django teaches an extra layer of doom-laden dramatic irony.
The run time is only just over 80 minutes so everything moves at a
very quick pace and there's no wasted scenes. Again, like a lot of
Spaghetti westerns, there's an interesting anti-American flavour to the
story. You have the evil white landowner Barrett essentially ordering
Ramon and his Mexican immigrant family to be removed from their farm
despite their legitimate claim to live there. It's never concretely
stated exactly why Barrett wants them removed, we just hear him say
during a poker game that with them gone he can now create "paradise" for
all the good white folk of the town.The film isn't without its small share of problems though. The locations are a little unconvincing and the score, though good, gets very repetitive by the end. There's also a couple of logic gaps. It's never completely explained why Barrett tells Django he has a job for him but doesn't want to tell him the name of the target until the end of the month. It's seems purely designed so that the audience can benefit from knowing where the story is going. I would have preferred a little better explanation to be given. Also, the final shootout between Django and Ramon happens very quickly and is a little underwhelming. Given the build up and all the lessons that are taught (count your bullets, make sure there's always one in the chamber, don't face into the sun, watch your enemies steps) I was hoping for a bit more a prolonged battle.
All in all, Django the Last Killer
is an earnest and worthwhile little western that is recommended to fans
of the genre looking for something to tackle after the more famous
films of the Spaghetti western genre. Like all Django rip-offs this was only made a Django
film during the dubbing process (the original version has Ghidra go by
the name Rezza) but let's ignore that because actually I think Django the Last Killer makes a far better follow-up to the original Django than the official one, Django Strikes Again. Check it out if you get a chance, there's full length copies easily found on both youtube and dailymotion.GRADE: B

Dude. your review for Unchained isn't showing up!
ReplyDeleteSorry dude, I was a little hasty getting it up and it needed some more work. It's up now!
ReplyDeleteGreat review!
ReplyDeleteWe're linking to your article for Spaghetti Western Tuesday at SeminalCinemaOutfit.com
Keep up the good work!
Great, thanks man. Will have to give your site a read.
ReplyDelete